Tom Aulino’s New York credits include the Broadway (George C. Wolfe) revival of ON THE TOWN as well as UP AGAINST IT!, THE CHANG FRAGMENTS, MEASURE FOR MEASURE and HENRY VIII (The Public), MARVIN’S ROOM (Playwrights Horizons) as well as Second Stage, Theatre for a New Audience, York Theatre and Theatre-In-Limbo. Chicago credits include CANDIDE, THE WINTER’S TALE, SHE ALWAYS SAID, PABLO (Goodman), THE DRESSER, VALPARAISO (Steppenwolf) and TAKE ME OUT (Joseph Jefferson Award) (Steppenwolf/About Face). Other credits include Kansas City Rep., Huntington (Boston), Indiana Rep., Kennedy Center, Washington Shakespeare Theatre and, of course, “Law and Order.”
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“Daddy” previews continue this weekend, as does our “Daddy” artist dramaturgy campaign!
Robert Rauschenberg, a true renaissance man, was a painter, graphic artist, set designer, costume designer, photographer, sculpturist and performer. A New-Dadist artist, Rauschenberg was known for breaking rules set by his peers and predecessors. Rauschenberg saw art as something that existed anywhere and everywhere, and there was no limit to the types of materials he’d use to create: “A pair of socks," Rauschenberg once said, "is no less suitable to make a painting with than wood, nails, turpentine, oil and fabric.” Some of Rauschenberg’s most famous works were his “Combines,” where he fused non-traditional materials to create interdisciplinary painting-sculpture hybrids. Cy Twombly, John Cage, and Merce Cunningham were some of his lifelong friends and collaborators.
This page offers a great walkthrough of Rauschenberg’s life and sprawling career: www.tate.org.uk/rules-of-rauschenberg/ The New GroupThe rules of art according to Rauschenberg
tate.org.uk
At Tate Modern, discover artist Robert Rauschenberg, painter, performer, printmaker and protester
