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Vineyard On Broadway

September 25, 2021 - January 16, 2022

17-week engagement, running in rotation
Les Waters (Director, Dana H.) is an Obie Award winner, was Artistic Director of Actors Theatre of Louisville from 2012–2018, where he directed The Thin Place, Evocation To Visible Appearance, Little Bunny Foo Foo, Recent Alien Abductions, MacBeth, For Peter Pan On Her 70th Birthday, The Glory Of The World, Luna Gale, At The Vanishing Point, The Christians, Our Town, Gnit, Girlfriends, Long Day's Journey Into Night, and Big Love. From 2003–2011, he served as Associate Artistic Director at Berkeley Repertory Theatre. His productions have been seen in New York at Playwrights Horizons, Signature Theatre Company, The Public Theater, Second Stage Theater, Manhattan Theatre Club, Connelly Theater, Clubbed Thumb, Soho Rep, and Brooklyn Academy of Music, and regionally at theatres such as Arena Stage, Huntington Theatre Company, Mark Taper Forum, Steppenwolf Theatre Company, Goodman Theatre, Yale Repertory Theatre, American Conservatory Theater, La Jolla Playhouse, and American Repertory Theater. In 2009, he made his Broadway debut with In The Next Room, or The Vibrator Play. He led the MFA directing program at University of California, San Diego from 1995–2003.

Tina Satter

(Conceiver and Director, Is This A Room) Vineyard Theatre debut. Tina is a writer and director for theater and film. Founder and Artistic Director of Half Straddle, a critically acclaimed, Obie-winning theater company based in New York City. Since 2008 the company has premiered 10 full-length shows, and a number of shorter works and video projects that have been seen at festivals and theaters throughout the U.S., Europe, Australia, and Asia. In addition to Is This A Room, plays she’s written and directed with Half Straddle and toured internationally and nationally include House of Dance, Ghost Rings, Seagull (Thinking Of You), and In The Pony Palace/Football, among others. Tina is the recipient of a Foundation for Contemporary Arts and Doris Duke Impact Artist awards. Attended Mac Wellman’s graduate playwriting program at Brooklyn College; M.A. from Reed College; B.A. from Bowdoin College. Visiting artist and/or teacher at Princeton, Yale, NYU, Sarah Lawrence, Hunter MFA Playwriting, University of Michigan, University of Pennsylvania, and more. www.halfstraddle.com.

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Emily Davis

(Reality Winner, Is This A Room) Vineyard Theatre debut. Recent New York productions: Singlet (The Bushwick Starr), Of Government (Clubbed Thumb), My Old Man and Other Stories (Dixon Place), O, Earth! (The Foundry Theatre). Emily has worked with theater company Half Straddle for over a decade, performing in the U.S. and abroad in their original plays, including Ancient Lives, The Seagull (Thinking Of You), In The Pony Palace/Football, and Family. Film: The Plagiarists, Almost Family, Gwen in Corpus.

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Lucas Hnath

Lucas Hnath (Playwright, Dana H.) received a 2017 Tony Award nomination for Best Play with A Doll's House, Part 2. Hnath’s other plays include Hillary and Clinton, The Thing Place, Red Speedo, The Christians, A Public Reading Of An Unproduced Screenplay About The Death of Walt Disney, Issac's Eye, and Death Tax. He has been produced on Broadway at the John Golden Theatre, Off-Broadway at New York Theatre Workshop, Playwrights Horizons, Soho Rep, and Ensemble Studio Theatre. His plays have also been premiered at the Humana Festival of New Plays, Victory Gardens, and South Coast Repertory. He is a New York Theatre Workshop Usual Suspect, a member of Ensemble Studio Theatre, and an alumnus of New Dramatists. Awards: Whiting Award, Guggenheim Fellowship, Kesselring Prize, Outer Critics Circle Award for Best New Play, Obie Award for Playwriting, Steinberg Playwright Award, and the Windham-Campbell Literary Prize.

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Deirdre O’Connell

Deirdre O’Connell (Dana H.) Recent favorite theatre includes: Dana H. by Lucas Hnath (Los Angeles Ovation Award, Obie Award, Outer Critics Circle Award, Lucille Lortel Award, Kirk Douglas Theatre, Goodman Theater and Vineyard Theatre), Before The Meeting by Adam Bock (Williamstown Theater Festival), Thunderbodies by Kate Tarker (Soho Rep), Fulfillment Center by Abe Koogler (Drama Desk and Drama League Award nominations) and By the Water by Sharyn Rothstein (Lortel nomination, Manhattan Theatre Club), Terminus by Gabriel Jason Dean (New York Theatre Workshop), The Way West by Mona Mansour and Thinner Than Water by Melissa Ross (Labyrinth), Judy by Max Posner (Page 73), Little Children Dream of God by Jeff Augustin (Manhattan Theatre Club), Scarcity by Lucy Thurber (Rattlestick), The Vandal by Hamish Linklater (The Flea), Circle Mirror Transformation by Annie Baker (Obie and Drama Desk Awards; Playwrights Horizons), In the Wake by Lisa Kron (Los Angeles Ovation Award, Richard Seff Actors’ Equity Award, Lortel nomination,Kirk Douglas Theatre and Public Theatre), In the Blood by Susan Lori Parks (Public Theatre). Other favorite writers she has performed include Jenkins, Wellman, Schulman, Nelson, Meyer, Fornes, Shepard, Smith, and Chekhov. Recent films include Diane, Lez Bomb, I Am a Seagull, The Boy Downstairs, Gabriel, Synecdoche, NY, and Eternal Sunshine of the Spotless Mind. TV includes recurring roles on “One Dollar”, “The Path”, “The Affair”, and “Nurse Jackie”. She has an Obie for Sustained Excellence in Performance, a New York Drama Critics Circle Special Citation and a Lilly Award.

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Les Waters

Les Waters (Director, Dana H.) is an Obie Award winner, was Artistic Director of Actors Theatre of Louisville from 2012–2018, where he directed The Thin Place, Evocation To Visible Appearance, Little Bunny Foo Foo, Recent Alien Abductions, MacBeth, For Peter Pan On Her 70th Birthday, The Glory Of The World, Luna Gale, At The Vanishing Point, The Christians, Our Town, Gnit, Girlfriends, Long Day's Journey Into Night, and Big Love. From 2003–2011, he served as Associate Artistic Director at Berkeley Repertory Theatre. His productions have been seen in New York at Playwrights Horizons, Signature Theatre Company, The Public Theater, Second Stage Theater, Manhattan Theatre Club, Connelly Theater, Clubbed Thumb, Soho Rep, and Brooklyn Academy of Music, and regionally at theatres such as Arena Stage, Huntington Theatre Company, Mark Taper Forum, Steppenwolf Theatre Company, Goodman Theatre, Yale Repertory Theatre, American Conservatory Theater, La Jolla Playhouse, and American Repertory Theater. In 2009, he made his Broadway debut with In The Next Room, or The Vibrator Play. He led the MFA directing program at University of California, San Diego from 1995–2003.

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