Currently viewing the tag: "Leigh Silverman"



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By David Cale
Music by Matthew Dean Marsh
Directed by Leigh Silverman
Leigh Silverman (Director) Broadway credits include: VIOLET (Roundabout; Tony nom.), CHINGLISH, WELL. Her Citi Center Encores productions include: REALLY ROSIE, THE WILD PARTY, VIOLET. Her recent Off-Broadway credits include:  SWEET CHARITY (The New Group), ON THE EXHALE (Roundabout), THE OUTER SPACE (Public Theater), ALL THE WAYS TO SAY I LOVE YOU (MCC), THE WAY WE GET BY (Second Stage), TUMACHO (Clubbed Thumb), AMERICAN HERO (WTF; Second Stage), NO PLACE TO GO (Public Theater), KUNG FU (Signature Theatre), THE (CURIOUS CASE OF THE) WATSON INTELLIGENCE (Playwrights Horizons), THE MADRID (MTC), GOLDEN CHILD (Signature Theatre), IN THE WAKE (CTG/Berkeley/Public Theater, Obie Award, Lortel nomination), THE CALL (Playwrights Horizons), GO BACK TO WHERE YOU ARE (Playwrights Horizons, Obie Award), YELLOW FACE (CTG/Public Theater). She is the Vice President of the Society of Stage Directors and Choreographers.

David Cale

David Cale, Playwright, returns to the Vineyard Theatre following his solo play Harry Clarke, starring Billy Crudup, and directed by Leigh Silverman, which transferred to the Minetta Lane Theatre in a run produced and recorded by Audible (2018 Lucille Lortel Award). Cale’s works as both writer and performer include The History of Kisses, Palomino, A Likely Story, Lillian (Obie Award), Deep in a Dream of You (Bessie Award), Smooch Music and The Redthroats (Bessie Award). He wrote the book, lyrics, co-composed the music and starred in the musical Floyd and Clea Under the Western Sky (Outer Critics Circle Award nomination). His most recent work is his solo musical memoir We’re Only Alive for A Short Amount of Time, for which he wrote the book, lyrics and co-composed the music with his musical collaborator Matthew Dean Marsh. For We’re Only Alive for A Short Amount of Time, Cale and Marsh received a 2019 Jeff Award and a 2020 Lucille Lortel Award nomination, and Cale was the recipient of a 2020 Drama Desk Award nomination, a 2020 Outer Critics Circle Award and a 2020 Obie Award.


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