Vineyard Theatre: KID VICTORY, THE SCOTTSBORO BOYS (also Broadway). Grammy, Olivier, and four-time Tonynominated Sound Designer for theater, film, television and special events. Selected designs include: FROZEN, ANASTASIA, SOMETHING ROTTEN!, ROCK OF AGES, AFTER MIDNIGHT, MOTOWN, SIDE SHOW, ROCKY, BULLETS OVER BROADWAY, SHREK THE MUSICAL, ON A CLEAR DAY, LEND ME A TENOR, ELF, WONDERLAND, CRY BABY, THE TIMES THEY ARE A-CHANGIN’, THE WEDDING SINGER, SWEET CHARITY, MARTIN SHORT: FAME BECOMES ME, LITTLE WOMEN, BROOKLYN, ANNIE (US Tours). Other credits: LE REVE at Wynn Las Vegas, RAGTIME (London), KING KONG (Melbourne). International arena tours of HOW TO TRAIN YOUR DRAGON and WALKING WITH DINOSAURS.
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Did you see Dana H.?
Yeah, and I got the chance to interview her.
I mean, who knew that you can do that? That was one of the most thrilling pieces of theatre I’ve seen in recent years.
It was a quite a document. That wasn’t very long before the pandemic, and I think there has been talk about bringing it back.
You know, when people ask, what would be your ideal theatre, it would be that you could see shows again that you may have missed them during their three-week run—that there could be some kind of repertory theatre that could bring these things back. The other great docudrama I saw recently was Is This a Room?, the Tina Satter play. My larger point here is, is documentary theatre a form I’m innately drawn to? No. But then you go look at these shows, and there’s no way you can say, “This is not art.”Ben Brantley: A Critic Is a Mirror, Not a Shaper
americantheatre.org
The Times’ lead critic looks back on a fertile period in the field and reflects on the role he played in it.
