(Book) Credits include THE BURNT PART BOYS (New York Stage and Film, Vineyard Theatre, Barrington Stage Company, Theatreworks Palo Alto, University of Nebraska: Lincoln, National Endowment of the Arts Grant, American Critics New Play Finalist); THIS SIDE OF PARADISE (Theater for a New City, Bank Street Theater, Hudson Backstage Theater, Manhattan Theatre Source, published Estrogenius Sourcebook); RUN TEDDY RUN (Electric Pear, NYU/Playwrights Horizons, Musical Theater Works, Ensemble Studio Theatre Rusty Magee Fellowship, Daryl Roth Award). Graduate of NYU Tisch (Dean’s Fellow) and Grinnell College, teaching artist for Lincoln Center Theater and Dreamyard Project.
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"While I understand why they are focused on telling us what we can’t do today, we need them equally to prioritize providing clear rules about what we can do when we reopen."
ow.ly/eHpg50ARNjcCultural institutions need a lifeline: Find new ways to bring them back
nydailynews.com
New York’s modern success as an economic hub has been fueled by our ability to attract talent. In that international competition, our city depends on the outcome of a calculus performed by millions of people weighing whether to make New York home: Do the positives outweigh the negatives?
