Kaye Voyce

(Costume Design) Vineyard Theatre: THIS DAY FORWARD, THE BURNT PART BOYS. Broadway: SIGNIFICANT OTHER, THE REAL THING, THE REALISTIC JONESES, and SHINING CITY. Recent work includes: OFFICE HOUR, HAMLET (Public Theatre), MEASURE FOR MEASURE (Elevator Repair Service/Public Theatre), AFTER THE BLAST (LCT3), THE SUMMER KING (Pittsburgh Opera, world premiere), THE ANTIPODES (Signature Theatre), ENDGAME (Long […]

(Costume Design) Vineyard Theatre: THIS DAY FORWARD, THE BURNT PART BOYS. Broadway: SIGNIFICANT OTHER, THE REAL THING, THE REALISTIC JONESES, and SHINING CITY. Recent work includes: OFFICE HOUR, HAMLET (Public Theatre), MEASURE FOR MEASURE (Elevator Repair Service/Public Theatre), AFTER THE BLAST (LCT3), THE SUMMER KING (Pittsburgh Opera, world premiere), THE ANTIPODES (Signature Theatre), ENDGAME (Long Wharf), REVOLT. SHE SAID. REVOLT AGAIN (Soho Rep), SIGNATURE PLAYS, THE WAYSIDE MOTOR INN (Signature Theatre), INDIAN SUMMER and DETROIT (Playwrights Horizons), THE MYSTERY OF LOVE AND SEX and 4000 MILES (Lincoln Center Theater), IL TURCO IN ITALIA (Festival d’Aix-en-Provence, Opera Dijon,Teatro Regio Torino and Teatr Wielki, Warsaw), Trisha Brown’s final two dances: “Rogues” and “Toss,” and many shows with Richard Maxwell/New York City Players.

Artists

Audible

Audible is the leading provider of premium digital spoken audio content, offering customers a new way to enhance and enrich their lives every day. To unleash the power of the spoken word, Audible pairs outstanding talent with great works, developing and producing theater projects in the studio and onstage to amplify innovative language-driven storytelling and extraordinary performances. Our Emerging Playwrights Fund invests in playwrights around the globe whose work can be heard by millions of Audible listeners. Audible’s inaugural productions: Off-Broadway, David Cale’s HARRY CLARKE, starring Billy Crudup at the Vineyard Theatre; Broadway, LATIN HISTORY FOR MORONS, written by and starring John Leguizamo.

Henry Russell Bergstein, CSA

(Casting Director) Vineyard Theatre: GOOD GRIEF, THE AMATEURS, HARRY CLARKE, THE LYONS (and Broadway), GLORIA (and Goodman), DOT, THE LANDING, CAN YOU FORGIVE HER?, KID VICTORY (and Signature DC), TOO MUCH SUN, BILLY & RAY, SOMEWHERE FUN, THE NORTH POOL, ARLINGTON, OUTSIDE PEOPLE, CHECKERS, PICKED, MIDDLETOWN, THE METAL CHILDREN, WIG OUT!. Other theater: KPOP, SMALL MOUTH SOUNDS, NATASHA, PIERRE, & THE GREAT COMET OF 1812; THE WILDNESS (Ars Nova). Sundance Theatre Lab: 5 seasons. Television: US Casting for “Black Mirror,” Comedy Central’s “The Other Two” with Allison Estrin, HBO’s “Succession” and Amazon’s “Mozart in the Jungle” with Douglas Aibel. Film: Saturday Church, It Felt Like Love, Easy Living; with Douglas Aibel – Grandma, Love After Love, How to Talk to Girls at Parties; with Allison Estrin – Spider-Man: Homecoming (NY Casting). Also: “Homecoming The Podcast” S1-2.

Elizabeth Smith

(Dialect Coach) Vineyard Theatre debut. LCT: OSLO, MACBETH, CYMBELINE, THE COAST OF UTOPIA, THE RIVALS, HENRY IV, THE INVENTION OF LOVE, TWELFTH NIGHT, IVANOV, RACING DEMON, ARCADIA. Broadway: NOISES OFF, ROCK ‘N’ ROLL, THE ELEPHANT MAN, DIRTY ROTTEN SCOUNDRELS, JULIUS CAESAR, SIGHT UNSEEN, RETREAT FROM MOSCOW, TARTUFFE, NIGHT MUST FALL, TOMMY, MY FAIR LADY, BEAUTY AND THE BEAST, ME AND MY GIRL, PIAF, ROSE, DRACULA. Off-Broadway: SORE THROATS, HUMBLE BOY, HOUSE AND GARDEN, ONE FLEA SPARE, THE STRIKER, HAMLET, FEN, MOONLIGHT, NO MAN’S LAND, KINDERTRANSPORT, THE ROAD TO MECCA, CLOUD NINE. Regional: Westport Country Playhouse, Shakespeare Theatre DC, Centre Stage, LWT, A.R.T., Hartford Stage, Arena Stage, Guthrie. Award: 1996 John Houseman Award.

Andrew Diaz

(Props Master) Vineyard Theatre: HARRY CLARKE, GIGANTIC, GLORIA. Andrew is a Brooklyn-based set and props designer. He has previously worked with Walt Disney Entertainment, Roundabout Theatre Company, MCC Theatre, The Flea, Signature Theatre, New York Theatre Workshop, Carnegie Hall, Classic Stage Company, Primary Stages, The Public, Theatre for a New Audience, Cherry Lane Theater, Rattlestick Playwrights Theater, among others. BFA: University of Arizona School of Theater Arts.

Shelley Miles

(Production Stage Manager) Vineyard Theatre debut. Broadway: HEDWIG AND THE ANGRY INCH rehearsal stage manager for Michael C. Hall and John Cameron Mitchell, VIOLET, BETRAYAL, PICNIC, GORE VIDAL’S THE BEST MAN, ROCK OF AGES. Off-Broadway: FOR PETER PAN ON HER 70TH BIRTHDAY (Playwrights Horizons), THE OUTER SPACE (Public), SWEET CHARITY (New Group), NAT TURNER IN JERUSALEM, HADESTOWN, and WHAT’S IT ALL ABOUT? all with New York Theatre Workshop. At Encores!: THE WILD PARTY, A NEW BRAIN, LADY BE GOOD, IRMA LA DOUCE, and GIRL CRAZY. I’M LOOKING FOR HELEN TWELVETREES (Abrons), WASHER/DRYER (MaYi), ALPHABETICAL ORDER (Keen). Three plays with The Debate Society: CAPE DISAPPOINTMENT, BUDDY COP 2, BLOOD PLAY. SM for numerous stories and productions penned by Clay McLeod Chapman. Love and gratitude to Leigh, David, Billy, Rachel, and DeFina.

Bryn Herdrich

(Assistant Director) is excited to be making her Vineyard Theatre debut! Assistant Directing credits include MEN ON BOATS dir. Will Davis, and F*CK THIS TYPEWRITER dir. William Burke. Favorite directing credits include INTERABANG (Ars Nova Antfest), IGNIS FATUUS (The Tank) and ENDLESS SUMMER (Hunter College). Upcoming: UNTITLED AMERICAN FLAG CRAFT PROJECT at The Brick Theater.

Bart Fasbender

(Sound Design) Vineyard Theatre debut. Recent designs include LONELY PLANET at Keen Company; NEIGHBORS: a fair trade agreement at INTAR and ROCKY HORROR at Bucks County Playhouse. Previous collaborations with Ms. Silverman include THE HEIDI CHRONICLES at The Guthrie, the world premieres of Neil LaBute’s ALL THE WAYS TO SAY I LOVE YOU at MCC and THE WAY WE GET BY at Second Stage; BRIGHT HALF LIFE by Tanya Barfield for Women’s Project and Martín Zimmerman’s ON THE EXHALE at Roundabout Underground. Other NY credits include the world premiere and Broadway production of Alex Timbers’ BLOODY BLOODY ANDREW JACKSON; the world premieres of Erica Schmidt’s ALL THE FINE BOYS at The New Group and Michael Laurence’s HAMLET IN BED at Rattlestick and the NY premiere of Robert Schenkkan’s BUILDING THE WALL. Proud member of USA 829 and Theatrical Sound Designers and Composers Association.

Alan C. Edwards

(Lighting Design) Vineyard Theatre debut. Broadway: THE TESTAMENT OF MARY (Assoc. to Jennifer Tipton). Off-Broadway: THE FIRST NOEL (Classical Theatre of Harlem/Apollo Theatre). Off-Off-Broadway: KILL MOVE PARADISE, CARNAVAL (National Black Theatre); MACBETH (Audelco Award winner), FIT FOR A QUEEN (Classical Theatre of Harlem), DUTCHMAN (CTH & NBT), HOLDING IT DOWN (Harlem Stage). Regional: HENRY IV- PT. 2, FINGERSMITH (Oregon Shakespeare Festival), WE ARE PROUD TO PRESENT (The Guthrie), STAGGER LEE (Dallas Theater Center), TWISTED MELODIES (Center Stage Baltimore), THE ELABORATE ENTRANCE OF CHAD DEITY (Asolo Rep), THE PIANO LESSON, A DELICATE BALANCE (Yale Rep), LIGHTS OUT: NAT KING COLE (People’s Light), THE MOUNTAINTOP (Cleveland Play House). Opera: MARIA DE BUENOS AIRES (Mill City Opera), ACIS & GALATEA (Madison Opera), CARMEN (Tri-Cities Opera). Dance: Madiba (for Jeremy McQueen performing at the Kennedy Center). Training: Edwards received his MFA from the Yale School of Drama. www.alancedwards.com.

Kaye Voyce

(Costume Design) Vineyard Theatre: THIS DAY FORWARD, THE BURNT PART BOYS. Broadway: SIGNIFICANT OTHER, THE REAL THING, THE REALISTIC JONESES, and SHINING CITY. Recent work includes: OFFICE HOUR, HAMLET (Public Theatre), MEASURE FOR MEASURE (Elevator Repair Service/Public Theatre), AFTER THE BLAST (LCT3), THE SUMMER KING (Pittsburgh Opera, world premiere), THE ANTIPODES (Signature Theatre), ENDGAME (Long Wharf), REVOLT. SHE SAID. REVOLT AGAIN (Soho Rep), SIGNATURE PLAYS, THE WAYSIDE MOTOR INN (Signature Theatre), INDIAN SUMMER and DETROIT (Playwrights Horizons), THE MYSTERY OF LOVE AND SEX and 4000 MILES (Lincoln Center Theater), IL TURCO IN ITALIA (Festival d’Aix-en-Provence, Opera Dijon,Teatro Regio Torino and Teatr Wielki, Warsaw), Trisha Brown’s final two dances: “Rogues” and “Toss,” and many shows with Richard Maxwell/New York City Players.

Alexander Dodge

(Scenic Design) Vineyard Theatre debut. Broadway: ANASTASIA (Outer Critics Circle nomination), A GENTLEMEN’S GUIDE TO LOVE AND MURDER (Tony, Drama Desk, Outer Critics Circle nominations; CT Critics Award, L.A. Critics Award, Craig Noel Award winners), PRESENT LAUGHTER (Tony nomination), OLD ACQUAINTANCE, BUTLEY, HEDDA GABLER (w/Kate Burton). London West End: ALL NEW PEOPLE (written by and starring Zach Braff) also Manchester and Glasgow. Off-Broadway: THE LIAR (CSC), RIPCORD (MTC), LIPS TOGETHER, TEETH APART (Second Stage); RAPTURE, BLISTER, BURN (Playwrights Horizons); THE UNDERSTUDY (Roundabout), MEASURE FOR PLEASURE (Public) OBSERVE THE SONS OF ULSTER
 (Lincoln Center, Lortel Award). Tours: Disney’s HUNCHBACK OF NOTRE DAME: La Jolla Playhouse, Paper Mill Playhouse, Germany and Japan. Opera: THE GHOSTS OF VERSAILLES (L.A. Opera), DINNER AT EIGHT, COSI FAN TUTTE (Minnesota Opera), AN AMERICAN TRAGEDY (Glimmerglass), IL TRITTICO (Deutsche Oper Berlin), LOHENGRIN (Budapest). Television: “Julie’s Greenroom” starring Julie Andrews for Netflix. Training: Yale School of Drama.

Leigh Silverman

Leigh Silverman (Director) last directed Harry Clarke starring Billy Crudup and written by David Cale at the Vineyard Theatre and subsequent transfer to the Minetta Lane. She has directed over 55 world premiere new plays and musicals. Her Broadway credits include: Grand Horizons (2ST; Williamstown Theater Festival); The Lifespan of a Fact (Studio 54); Violet (Roundabout; Tony nomination); Chinglish (Goodman Theatre; Longacre); Well (Public Theater; ACT; Longacre). Recent Off-Broadway: SUFFS (Public Theater); The Search for Signs of Intelligent Life in the Universe (Shed); Soft Power (Public Theater; Ahmanson Theater/ Curran Theater; Drama Desk nom); Tumacho (Clubbed Thumb); Hurricane Diane (New York Theatre Workshop; Two River Theater); Harry Clarke (Vineyard Theatre/Audible, Minetta Lane; Lortel nom); Wild Goose Dreams (Public Theater; La Jolla Playhouse); Sweet Charity (New Group); On The Exhale (Roundabout); The Outer Space (Public Theater). Encores: Bring Me to Light; Violet; The Wild Party; Really Rosie. 2011 Obie Award and 2019 Obie for Sustained Excellence.

David Cale

David Cale (Playwright) returns to Vineyard Theatre following his solo play Harry Clarke, starring Billy Crudup, and directed by Leigh Silverman, which transferred to the Minetta Lane Theatre in a run produced and recorded by Audible (2018 Lucille Lortel Award). Cale’s works as both writer and performer include the solo shows The History of Kisses, Palomino, A Likely Story, Lillian (Obie Award), Deep in a Dream of You (Bessie Award) and the musical, Floyd and Clea Under the Western Sky, for which he also wrote the lyrics and co-composed the music (Outer Critics Circle Award nomination). He composed the songs for 600 Highwaymen’s Employee of the Year (Bessie Award nomination) and wrote the monologue The Actor, starring Marin Ireland, for Weston Playhouse’s online, One Room. His most recent stage work is his solo musical memoir We’re Only Alive for A Short Amount of Time, for which he wrote the book, lyrics, co-composed the music with his musical collaborator Matthew Dean Marsh and starred (Goodman Theatre, Public Theater). For We’re Only Alive for A Short Amount of Time, Cale and Marsh received a 2019 Jeff Award and a 2020 Lucille Lortel Award nomination, and Cale was the recipient of a 2020 Drama Desk Award nomination, a 2020 Outer Critics Circle Award and a 2020 Obie Award.

Billy Crudup

Equally memorable on the stage and screen, Billy Crudup has appeared at Vineyard Theatre in Chiori Miyagawa’s AMERICA DREAMING and Adam Rapp’s THE METAL CHILDREN. On stage, Crudup most recently starred in the repertory productions of NO MAN’S LAND and WAITING FOR GODOT on Broadway, opposite Ian McKellen, Patrick Stewart and Shuler Hensley. In 2007, Crudup won a “Best Performance by a Featured Actor” Tony Award for his role in the Broadway production of THE COAST OF UTOPIA. He also received Tony nominations for his roles in THE ELEPHANT MAN, THE PILLOWMAN, and ARCADIA.

His other stage credits include William Inge’s BUS STOP and the Roundabout Theater’s production of THREE SISTERS, which earned him a Drama Desk nomination. He has appeared in OEDIPUS with Frances McDormand, starred in the New York Shakespeare Festival production of MEASURE FOR MEASURE at the Delacorte Theater in Central Park, and starred in the off-Broadway run of THE RESISTIBLE RISE OF ARTURO UI opposite Al Pacino and Steve Buscemi.

Crudup most recently starred in Ridley Scott’s Alien: Covenant and made his television debut in Netflix’s psychological thriller “Gypsy.” Additional major motion pictures include Jackie, 20th Century Women, Spotlight, Youth in Oregon, The Stanford Prison Experiment, Sleepers, Everyone Says I Love You, Inventing the Abbotts, Without Limits, Jesus’ Son, Waking the Dead, Almost Famous, 1 Mile to You, Glass Chin, Rudderless, Blood Ties, Eat Pray Love, Public Enemies, Watchmen, Charlotte Gray, Big Fish, Stage Beauty, Trust the Man, Mission Impossible 3, and The Good Shepherd.

Upcoming, he will appear in Zack Snyder’s Justice League, to debut in November, and will star in the 2018 film adaptation of Maria Semple’s novel, Where’d You Go, Bernadette, alongside Kristen Wiig and Cate Blanchett.