(Original Music and Sound Design) Broadway: THE LYONS, DOUBT, BORN YESTERDAY, ARCADIA, ELLING, THE NORMAL HEART, MRS. WARREN’S PROFESSION, A BEHANDING IN SPOKANE, A MAN FOR ALL SEASONS, RECKLESS, INHERIT THE WIND, FROZEN, AFTER MISS JULIE, JUDGMENT AT NUREMBERG, THE CONSTANT WIFE, THE CRUCIBLE, THE GOOD BODY, UNCLE VANYA. Off-Broadway: THE LYONS,THROUGH A GLASS DARKLY, THE LANGUAGE ARCHIVE, FARRAGUT NORTH, WIT, HOW I LEARNED TO DRIVE, THE GREY ZONE, DISTRACTED, THE HOUSE IN TOWN, THE LONG CHRISTMAS RIDE HOME, THE PARIS LETTER, THE HEART IS A LONELY HUNTER, JACK GOES BOATING, AS BEES IN HONEY DROWN. Film/TV: Buried Prayers, Working Girls, “Penn & Teller.” Dance: Twyla Tharp, Doug Varone, Elizabeth Streb, Michael Moschen. Percussionist: Laurie Anderson, Talking Heads, Brian Eno, Steve Reich. CDs: Thrown for a Loop, Strange Cargo, Safety in Numbers, These Things Happen. Internet: www.vantieghem.com.
David Van Tieghem
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Did you see Dana H.?
Yeah, and I got the chance to interview her.
I mean, who knew that you can do that? That was one of the most thrilling pieces of theatre I’ve seen in recent years.
It was a quite a document. That wasn’t very long before the pandemic, and I think there has been talk about bringing it back.
You know, when people ask, what would be your ideal theatre, it would be that you could see shows again that you may have missed them during their three-week run—that there could be some kind of repertory theatre that could bring these things back. The other great docudrama I saw recently was Is This a Room?, the Tina Satter play. My larger point here is, is documentary theatre a form I’m innately drawn to? No. But then you go look at these shows, and there’s no way you can say, “This is not art.”Ben Brantley: A Critic Is a Mirror, Not a Shaper
americantheatre.org
The Times’ lead critic looks back on a fertile period in the field and reflects on the role he played in it.
