Adam Rapp’s powerful drama THE METAL CHILDREN, is about a gifted New York writer’s explosive encounter with a small American town hellbent on banning his young adult novel. Rapp is the acclaimed author of such works as Pulitzer Prize finalist RED LIGHT WINTER, NOCTURNE, and BLACKBIRD.
The Metal Children Developmental Lab Production
June 10- June 29, 2008
Written and Directed by Adam Rapp
With Betsy Aidem, Connor Barrett, Kerry Bishe, Guy Boyd, Mia Dillon, David Greenspan, Halley Wegryn Gross, Michael Shannon, Katherine Waterston
(Lynne/Roberta Cupp) Over the Last 12 Years: THE METAL CHILDREN (Vineyard Theatre), MARY ROSE (Vineyard Theatre), STONE COLD DEAD SERIOUS by Adam Rapp (Edge Theater), CELEBRATION and SEA OF TRANQUILITY (Atlantic Theatre Company), CROOKED (WP), THE TRIPLE HAPPINESS (Second Stage), GOOD THING (New Group), BUTTERFLY COLLECTION (Playwrights Horizons), TENDER (SPF), SEVEN (Deauville, London, etc), THE SUGAR SYNDROME and SWEET BIRD OF YOUTH (Williamstown), THE SEAGULL, THE CHERRY ORCHARD and PLATANOV (Lake Lucille). Film and Television: “The Good Wife”, “Nurse Jackie”, “Rescue Me”, “Law & Order” (Law & Order, SVU, CI) etc. Winter Passing, County Road K, Margaret, The Oranges. 2007 Obie for Sustained Excellence of Performance.<><>READ MORE
(Stacey Kinsella) Previously worked with Adam Rapp on his play FINER NOBLE GASES (Williamstown, Rattlestick, Woolly Mammoth, Edinburgh Fringe- Fringe First Award, & Bush Theatre in London). Other NY and regional theatre credits include THE METAL CHILDREN (Vineyard Theatre), KITTY KITTY KITTY (SPF), BASED ON A TOTALLY TRUE STORY (Geva), THE CHERRY ORCHARD (McCarter), CAMINO REAL & CHAUCER IN ROME (Williamstown), A LIE OF THE MIND (NYU), THE MARRIAGE OF BETTE AND BOO (NYU), and THE SERPENT WOMAN (NYU). Television/Film: “Rita Rocks”, “Do Not Disturb”, “Guiding Light”, “The Jury”, Two Classy Ladies. Education: BA, Northwestern University and MFA, NYU Graduate Acting. For JMB, MTB, & BMG.<><>READ MORE
(Edith Dundee) Broadway: GREASE (Brooks Atkinson Theatre). Off-Broadway: THE METAL CHILDREN, MARY ROSE and PHAEDRA (Vineyard Theatre), MEASURE FOR PLEASURE and FUCKING A (The Public Theatre), RECKLESS (Circle Repertory Theatre), BLUE WINDOW and THE GILDED CAGE (The Production Company), LAST SUMMER AT BLUEFISH COVE (Actors Playhouse) and TROILUS AND CRESSIDA (Ubu Repertory Company). Last seen Regionally in THE YEAR OF MAGICAL THINKING at Weston Playhouse. TV: “The Good Wife”, “Flight Of The Conchords”, “The Sopranos”, “Law & Order(s)”, “X-Files”, “ER”, etc. Film: Happy Tears, Loss Of A Teardrop Diamond, Doubt, United 93, Kinsey, Personal Velocity, Guarding Tess, Pet Sematary, Edward Scissorhands, and the upcoming The Good Heart.<><><><>READ MORE
(Otto Hurley) Broadway: AUGUST: OSAGE COUNTY (Charlie Akin), ROSE. Off-Broadway: Adam Rapp’s AMERICAN SLIGO, and THE METAL CHILDREN (Vineyard Theatre), ESSENTIAL SELF-DEFENSE, STONE COLD DEAD SERIOUS, TRUEBLINKA. Quincy Long’s PEOPLE BE HEARD, THE JOY OF GOING SOMEWHERE DEFINITE, THE LIVELY LADD. Sam Shepard’s THE LATE HENRY MOSS, CURSE OF THE STARVING CLASS. Chris Durang’s BETTY’S SUMMER VACATION, THE MARRIAGE OF BETTE AND BOO, SEX AND LONGING. Anne Marie Healy’s NOW THAT’S WHAT I CALL A STORM. Wm. Hauptman’s HEAT, DOMINO COURTS, THE DURANGO FLASH. Neena Beeber’s HARD FEELINGS. Film: Henry’s Crime, Taking Chance, The Savages, Walker Payne, Blackbird, Streamers (Golden Lion Award, Venice Film Festival) Ticket To Heaven, Sister Act, Jagged Edge, Body Double and others.<><><><>READ MORE
(Tobin Falmouth) Broadway: THE COAST OF UTOPIA, THE PILLOWMAN, THE ELEPHANT MAN, THE THREE SISTERS, BUS STOP, ARCADIA. Off Broadway: THE RESISTIBLE RISE OF ARTURO UI, MEASURE FOR MEASURE, OEDIPUS. Vineyard Theatre: THE METAL CHILDREN, AMERICA DREAMING. Film: Watchmen, Public Enemies, Dedication, Mission Impossible III, Trust the Man, The Good Shepherd, Stage Beauty, Big Fish, Almost Famous, Jesus’ Son, Sleepers, Everyone Says I Love You, Grind, World Traveler, Charlotte Gray, Princess Mononoke, Hi-Lo Country, Waking the Dead, Inventing the Abbotts, Without Limits, Monument Avenue, The Convincer, Eat Pray Love. Education: BA, University of North Carolina Chapel Hill; MFA NYU.<><>READ MORE
(Bruno Binelli/Father Derby) At the Vineyard: Adam Rapp's THE METAL CHILDREN, Elizabeth Egloff’s PHAEDRA. Other credits: RESCUE ME, THE ROYAL FAMILY, CORALINE, CORNBURY, BEEBO BRINKER CHRONICLES, THE WAX, SAVED OR DESTROYED, LIPSTICK TRACES. Two performance Obies: one for SOME MEN and Goethe’s FAUST, another for THE BOYS IN THE BAND. His own plays: JACK, THE HOME SHOW PIECES and 2 SAMUEL 11, ETC. (Home), DEAD MOTHER (The Public), SHE STOOPS TO COMEDY (Playwrights Horizons, Obie), THE ARGUMENT (Target Margin, Obie), THE MYOPIA (The Foundry), in collaboration with Stephin Merritt: CORALINE (MCC), Guggenheim, Lortel fellowships, Alpert Award.READ MORE
(Kong/Tami Lake/Boy X) Off-Broadway: THE METAL CHILDREN (Vineyard Theatre), THE PRIME OF MISS JEAN BRODIE, HURLYBURLY, TRUE LOVE, STEALING SWEETS AND PUNCHING PEOPLE (SPF). Regional: GREAT FALLS (Humana Festival). Film: Across the Universe, The Babysitters, The Missing Person, Lying, Leaving Gussie, Beautiful Kid. TV: “The Good Wife”, “Law and Order: Criminal Intent”, “Gossip Girl”, “Third Watch”, “The Book of Daniel”, “The Education of Max Bickford”, “As the World Turns”. Halley has just received her MFA from NYU’s Goldberg Department of Dramatic Writing.<><>READ MORE
(Cooper/Nurse/Porky Pig Boy) NY Stage: THE METAL CHILDREN (Vineyard Theatre), THE GREAT RECESSION at the Flea Theatre, MISERY AND GOOD FORTUNE at HERE Arts, and most recently, a workshop of GILGAMESH’S GAME with New Georges. Jessy is a series regular on the award-winning webseries “Anyone But Me” and can be seen online with sketch comedy group BriTANick. Training: Experimental Theatre Wing at Tisch, NYU.READ MORE
(Set Designer) B’way: LOMBARDI, PASSING STRANGE, BRIDGE AND TUNNEL. New York: THE METAL CHILDREN (Vineyard Theatre), WHEN THE RAIN STOPS FALLING (Lortel Nomination), STUNNING (Lincoln Center Theater); THE MARRIAGE OF BETTE AND BOO (Roundabout); THE WIZ (City Center); THE RECEPTIONIST, PUMPGIRL, ROMANTIC POETRY (MTC); HAMLET (Delacorte); WHY TORTURE IS WRONG… (Drama Desk & Hewes Awards, Lortel Nomination), PASSING STRANGE, YELLOW FACE (Public Theater); JACK GOES BOATING (LAByrinth, Lortel & Drama Desk Nominations); THE DRUNKEN CITY, FLOYD AND CLEA…, MISS WITHERSPOON (Playwrights Horizons); FARRAGUT NORTH (Atlantic); BLACKBIRD (Hewes Award, Drama Desk Nomination); ORANGE FLOWER WATER (Edge Theater, Drama Desk Nomination); ESSENTIAL SELF-DEFENSE (Playwrights Horizons/Edge Theater, Drama Desk Nomination); SWIMMING IN THE SHALLOWS (Second Stage, Lortel Nomination). Regional: THE PEE WEE HERMAN SHOW (Club Nokia); CTG, The Huntington, Old Globe, ACT, Williamstown Theatre Festival, Geffen Playhouse, Berkeley Rep., Santa Fe Opera, Alliance Theatre, La Jolla Playhouse, The Guthrie, and Toho Tokyo. 2009 Obie Award For Sustained Excellence in Design. www.davidkorinsdesign.comREAD MORE
(Wig and Makeup Design) Adam Rapp’s FINER NOBLE GASES and ESSENTIAL SELF DEFENSE. Recently: LOVE, LOSS AND WHAT I WORE (Westside Theater), THE DUCHESS OF MALFI (Red Bull), ORLANDO (Yale School of Drama), THAT PRETTY PRETTY... (Rattlestick Playwrights Theater), JERRY SPRINGER- THE OPERA (at Carnegie Hall), WALMARTOPIA (Minetta Lane). Her work has also been seen in NY at Playwrights Horizons, Signature Theatre Company, The Flea, MCC, The MINT, Atlantic Theatre Company, Second Stage, Century Center, Primary Stages, The Acting Company and Columbia University, among others. Regional: New York Stage & Film, Westport Playhouse, Philadelphia Theater Company, Two Rivers, Syracuse Stages and The University of Michigan Opera. She is also a Hair Supervisor on Broadway, currently with Enron.READ MORE
(Lighting Design) Vineyard Theatre: MIDDLETOWN, GOD’S EAR (Jenny Schwartz), and workshops of MY MARRIAGE TO ERNEST BORGNINE (Nicky Silver) and THE METAL CHILDREN (Adam Rapp). With director Ken Rus Schmoll: TELEPHONE (Foundry) and PROSERPINA (Spoleto USA). Recent and notable Off-Broadway credits: THAT FACE, THE ALIENS, WHEN THE RAIN STOPS FALLING (Lucille Lortel Award), BLASTED (American Theatre Wing Hewes Award), HELL HOUSE (Hewes nom.), BUG (Lucille Lortel and OBIE Awards), ORSON’S SHADOW, UNDERNEATH THE LINTEL and MOJO. Regional: Goodman, American Repertory Theatre, Trinity Rep, Old Globe, Dallas Theater Center, Shakespeare Theater, Chautauqua, Long Wharf, among others. 2010 Village Voice OBIE for Sustained Excellence.READ MORE
(Costume Design) Select NY credits include MURDER BALLAD (MTC); THE WHALE, ASSISTANCE (Playwrights Horizons); WARRIOR CLASS, THE BAD GUYS (Second Stage); SHE KILLS MONSTERS (The Flea, Drama Desk Nomination); THE REVISIONIST, THROUGH THE YELLOW HOUR, THE HALLWAY TRILOGY (Rattlestick Playwrights Theater); THE METAL CHILDREN (Vineyard Theatre). Her work has also appeared at P73, Ars Nova, Juilliard, St. Ann’s Warehouse.<>READ MORE
(Playwright and Director) An Obie-award-winning playwright and director. He is the author of numerous plays, which include THE METAL CHILDREN (Vineyard Theatre), NOCTURNE (American Repertory Theatre, New York Theatre Workshop), FASTER (Rattlestick), ANIMALS & PLANTS (A.R.T.), FINER NOBLE GASES (26th Humana Festival, Rattlestick), STONE COLD DEAD SERIOUS (A.R.T., Edge Theatre), BLACKBIRD (The Bush, London; Edge Theatre), GOMPERS, (Pittsburgh City Theatre), ESSENTIAL SELF-DEFENSE (Playwrights Horizons/Edge Theatre), AMERICAN SLIGO (Rattlestick), BINGO WITH THE INDIANS (The Flea), KINDNESS (Playwrights Horizons), and RED LIGHT WINTER (Steppenwolf, Scott Rudin Productions at Barrow Street Theatre), which was named a finalist for the Pulitzer Prize. He has published seven novels for young adults, including The Buffalo Tree (Front Street Books, 1997), which was struck from the curriculum at Muhlenberg High School in Reading, Pennsylvania in 2005, and Punkzilla (Candlewick Press, 2009), which was recently named a 2010 Michael J. Printz Honor Book. He is also the author of the adult novel, The Year Of Endless Sorrows (Farrar Strauss & Giroux, 2006), and the graphic novel, Ball-Peen Hammer (First Second Books, 2009). His playwriting honors include The Helen Merrill Award, The 2006 Princess Grace Statue, a Lucille Lortel Playwright’s Fellowship, and The Benjamin H. Danks Award from the American Academy of Arts and Letters. This summer he will direct a workshop production of his new play, WELCOME HOME DEAN CHARBONNEAU, at Seattle Rep.READ MORE
(Vera Dundee) Broadway: SPRING AWAKENING. Off-Broadway: SPRING AWAKENING, THE METAL CHILDREN (Vineyard Theatre), MOURNING BECOMES ELECTRA. Regional: GIRLS I’VE LIKE LIKED (Ars Nova and Comedy Central Stage), A DIFFERENT MOON (Penguin Rep), EVITA (Casa Mañana), SMILE (NYU), SEX AKA WIENERS AND BOOBS (NYU). Film: Hamlet 2, My One and Only. TV: “Mercy”, Sorority Wars, “30 Rock”, “Law & Order: Criminal Intent”, “Stella”, “Rescue Me”. Thank you Dad, Estelle, Genn & Stephanie.<><><><>READ MORE
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Billy Crudup is excellent."
-John Lahr, The New Yorker
"ADAM RAPP'S MOST AMBITIOUS WORK YET! SHARPLY FUNNY, BRAVE AND WHOLLY LIKEABLE!"
-Elisabeth Vincentelli, New York Post
A riveting piece of theatre that delves into our country’s passionate extremes.”
-Matt Windman, AM New York
“AN ENGROSSING NEW PLAY!
Billy Crudup delivers a wonderfully vivid, nuanced performance.”
-Dan Bacalzo, Theatermania<><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><><>READ MORE
Fiction students are told to write what they know, but the savvy writer does at least two extra things: mix torn-from-real-life events with haunting, unsettling images and then cast a movie star (say...Billy Crudup?) as himself. In The Metal Children, opening this week at the Vineyard Theatre, prolific writer-director Adam<><>READ MORE
In the spring of 2005, I received a call from Bruce Weber of The New York Times telling me he was about to travel to Reading, Pennsylvania, where my young adult novel The Buffalo Tree had caused a bit of a stir. The novel, published by Front Street Books in<><><><>READ MORE
In the surreal young-adult novel “The Metal Children” by Tobin Falmouth, one by one the teenage girls of a middle-American town become pregnant and vanish, only to reappear as inanimate statues in a nearby cornfield. The book ends with a horrific act of self-inflicted violence that can be seen as eit<>READ MORE